Ron Dexter has used Hollywood studio cranes and
dollies for 35 mm cameras for over 40 years. He also built many
different models for his own productions especially for distant
location use. With the advent of much lighter cameras, lighter weight
cranes and dollies have become possible.
In using existing designs of cranes on the market we found that
the inability to make pans at the camera end severely limits one
of the most valuable moves a crane can make. There are a few DV
size camera cranes the do allow pans at the camera, but they are
pretty pricey. We also feel that putting an expensive tripod under
a small crane is an expensive mistake. We avoid the cost of the
tripod and tying it up with a crane that only makes part of your
project. Taking the arm off the tripod when you need the tripod
is time consuming. The worse aspect of many small cranes is that
they use a tripod head that is rated for much less weight than the
weight and length of an arm. Attaching an arm to a tripod head dovetail
is also difficult. Our design is very simple and strong. Our method
of panning, and tilting the camera and making an arm move at the
same time is completely under the control of the operator. We feel
that for the money and build-in features this is the best crane
available.
We are offering cranes, camera stabilizer and dolly
systems developed over 40 years of building them and using them
on professional motion picture sets. We believe that versatility
and smooth function is better than hype. The advent of the DV camera
has made making lightweight cranes possible and within the budget
of the DV cameraperson. The skills needed to operate a DV crane
or dolly are no different than needed for professional ones costing
many times more. 
Our Body
Crane:
Is Very Affordable,
Is Reliable,
Is Very Easy to use,
Is Extremly Portable,
Is Extremly Light,
Does Not Required a stand,
It allows to walk with it,
Is Very Smooth.
There are dozens of camera stabilizers that are made
for the lighter weight cameras available today. Unfortunately, the
cheaper ones have design limitations found only in much more expensive
versions. The cheaper versions are made very cheaply with the shoulder
brace that allows only holding the camera by placing on top of the
users shoulder. Holding the camera on the shoulder drastically limits
the functions
of the stabilizer. Our research has come up with unique designs
that eliminates many of the problems with more affordable light
weight
stabilizer on the market today.
Our DVSteady Aimer:
Is Very Affordable,
Is Easy to use,
Has a Fluid Head,
Shoot steady and professional style images,
Comfortably sits against body with foam padded handles,
Allows endless variety of shooting configurations,
Adjustable to fit anyone.
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